The volume explores the history of the relations between patrons, intermediaries, and Venetian artists in Vienna and in the domains of the Holy Roman Empire between 1650 and 1750. In that period, there was no break between the performing and figurative arts. Based on the studies of Francis Haskell, it can also be said that patronage in Vienna in the Baroque age was part of a cosmopolitan network in which intermediaries were key players. The twenty-five essays are case studies of these relationships that took place both in the territories of the House of Habsburg and in the imperial fiefs, as well as in the rest of Europe, including some non-Venetian artists.
Ta spletna stran uporablja piškotke, da vam lahko zagotovimo kar najboljšo uporabniško izkušnjo. Informacije o piškotkih so shranjene v vašem brskalniku in omogočajo funkcije, kot je prepoznavanje ob vašem ponovnem obisku naše spletne strani ter pomagajo naši ekipi razumeti, kateri deli spletne strani so za vas najbolj zanimivi in uporabni.